additive resynthesis

Die additive Synthese ist eine Methode der synthetischen Klangerzeugung und wird beispielsweise in elektronischen Musikinstrumenten wie Synthesizern und Zugriegelorgeln eingesetzt. Bei der additiven Synthese wird der Klang im Gegensatz zur subtraktiven Synthese nicht dadurch erzeugt, dass man aus einem
Additive synthesis is a sound synthesis technique that creates timbre by adding sine waves together. The timbre of musical instruments can be considered in the light of Fourier theory to consist of multiple harmonic or inharmonic partials or overtones. Each partial is a sine wave of different frequency and amplitude that
26.02.2013 -
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This concept of constructing a complex sound out of sinusoidal terms is the basis for additive synthesis, sometimes called Fourier synthesis for the aforementioned reason. In addition to this, the concepts of additive synthesis have also existed since the introduction of the organ, where different pipes of varying pitch are
Additive synthesis (now more often called ``sinusoidal modeling'') was one of the first computer-music synthesis methods, and it has been a mainstay ever since. In fact, it is extensively described in the first article of the first issue of the Computer Music Journal [186]. Some of the first high-quality synthetic musical instrument
Additive Synthesis. Additive synthesis involves the summation of multiple sinusoidal signals to form a more complex signal. While this approach appears quite simple, the synthesis of time-varying signals using additive techniques requires the control and careful manipulation of many sinusoidal parameters.
Additive synthesis is a technique which builds sounds from the bottom up, by incrementally adding simple waveforms together to achieve the desired resultss. Additive synthesis can be used to very accurately model almost any musical instrument, given enough computational resources. Computational resources are limited
The additive series of frequencies (i.e., the series that results from simply adding the same Hertz value repeatedly), which results in a string of intervals of decreasing size, is called the harmonic series: You can also derive the series by repeating an experiment devised by Pythagoras (ca. 570-510 BCE) in which a string is
Additive Synthesis. One of the very first computer music techniques introduced was additive synthesis [382]. It is based on Fourier's theorem which states that any sound can be constructed from elementary sinusoids, such as are approximately produced by carefully struck tuning forks. Additive synthesis attempts to apply

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